Why two systems merged into one label
ASA (American) and DIN (German) were competing national film-speed standards through most of the 20th century. When the ISO standard was created, rather than picking one, it combined both numbers onto the same film box label, which is why older cameras and light meters may reference either system separately.
Why DIN's logarithmic scale exists at all
A logarithmic scale compresses a huge sensitivity range into small, easy-to-print numbers and lines up naturally with how camera exposure itself works in stops, which is a doubling/halving relationship. That made DIN convenient for engineers even though it reads less intuitively to casual film shoppers than a simple doubling ASA number.
Frequently Asked Questions
Do modern digital cameras use DIN at all?
No, digital camera ISO settings use only the arithmetic (ASA-derived) scale. DIN is essentially a legacy reference seen on classic film stock, older meters, and vintage camera manuals rather than in current digital practice.
Is a higher DIN number more or less sensitive film?
Higher DIN means more sensitive, same as higher ISO/ASA β the two scales always move in the same direction together, they just use different math (multiplying versus adding) to represent each one-stop increase.